Showing posts with label the blonde bombshell reviews. Show all posts
Showing posts with label the blonde bombshell reviews. Show all posts

Tuesday, 27 December 2016

My Boxing Day Movie Marathon and ALL THE REVIEWS

Forgive me readers for I have sinned. It's been 6 months since my last review. In that time I have seen a whole bunch of films, but that thing called life has really gotten in the way and I haven't allowed myself the time to sit down and write about them. So, I plan on rectifying that right now by writing about the 5 brand spanking new films I saw yesterday, plus the one that I went to a preview screening of a couple of weeks ago.  

Boxing Day is the greatest film release day of the year in Australia, and it has long been my tradition to do a mega-marathon of as many of the Boxing Day releases as I can fit. Thankfully my friends at the Sun Theatre gave me some good programming this year and I managed to fit in 5 films back to back with a 30 minute lunch break in the middle. So, if cricket and sailing aren't really your things and you're wanting to escape the madness of the city and the post-Christmas sales, you might find something from the list below that can help you. 

I'm going to start with ALLIED which I saw a couple of weeks ago at a preview screening, that had its official release yesterday. Starring Brad Pitt and Marion Cotillard, ALLIED tells the story of a Canadian intelligence officer and a French Resistance fighter who meet in 1942 on a joint mission in Morocco. On completion of the mission Max and Maryanne flee together to England, get married and start a family. Instead of living happily ever after, their relationship is threatened by distrust and suspicion as Max undertakes a solo mission to uncover the truth about his wife. The storyline had potential, and it came with an incredible director - Robert Zemeckis - and what should have been a great cast. Unfortuantely it was all a bit meh. The film dragged in parts which took away from the excitement and suspense, the twist was given away far too early (for me anyway), and it was almost like Brad Pitt just phoned that performance in. Which is a real shame because he can be really great, and it meant that Marion Cotillard's performance seemed over done, because his was so underwhelming. The film looked incredible, and the costuming was amazing, but the everything else left me feeling a little deflated. Out of all the things to choose from this week at the cinema, ALLIED wouldn't be at the top of the list of films I'd be willing to part with 20-something dollars for. Probably not even in the middle...

2.5 out of 5 for this new war drama

My Boxing Day marathon started at 9:50am with the first session of the day - the new Universal Pictures film SING. With an incredible voiceover cast including Matthew McConaughey, Reese Witherspoon, Seth MacFarlane, Scarlett Johansson, Taron Egerton, Tori Kelly, John C. Reilly and Jennifer Saunders, and a cute premise, I had high hopes for this little number. A koala named Buster Moon has one final chance to restore his theatre to its former glory and decides to produce the world's greatest singing competition. But when a typo, a con-artist mouse, three Russian mobster bears and a flood get in the way, things go a little awry for Buster and his competitors. With a soundtrack that's got a little something for everyone, this film will be a hit with the kiddies this holiday season. Not quite up there with Universals' hit DESPICABLE ME, it doesn't quite hit the mark with the script, but it was enjoyable and I even managed to have a little sing-a-long. It might not sit as well with the older kidlets, I'd say you'd be tapping the top of the age bracket at about 10 maybe 12. 

3.5 out of 5 for this holiday sing-a-long


11:50 saw me headed straight into the next session of the day - A UNITED KINGDOM. Based on the true story of Prince Seretse Khama of the country now known as Botswana, who caused quite an international scandal when he married a white woman from London in the late 40's and took her back as his queen. Starring David Oyelowo, Rosamund Pike, Jack Davenport and Tom Felton, this romantic biography would have to be my pick of the day. It had history, drama, romance, and a great script to boot. It really is a feel good story where love conquers all, and it gets you in the feels because it's actually true and not just some cods wallop that Hollywood has made up. I'm sure the script writers have taken some liberties with the story to make it more palatable, but the key facts are all there. David Oyelowo and Rosamund Pike do an amazing job carrying this film, although no surprises there. I did have a little lol when Tom Felton hit the screen with his dark hair and creepy moustache. It was all I could do not to blurt out loud "oh look, it's Draco Malfoy". Not his fault of course, and credit where credit it due, he played his slimy, pompous ass of a character quite well. A good one for you historical buffs out there, and those who enjoy a biopic, but also well suited to those who love a love story. 

4.5 out of 5 for this true story of true love


Here's where I got my lunch break - 30 minutes to have a picnic in the pop up park, go to the loo and get some fresh air. Then all too quickly it was back inside for the 2:25 session of WHY HIM? Not generally something I'd worry about seeing at the cinema unless boyfie wanted to go, but it fit into the schedule quite nicely, and I thought I could probably use a no brain power required film to break up the day. And I was right on two counts. I did need the comic relief to break up the day and it required absolutely no brain power. If stupid comedy is your thing, then this film is for you. Although if you're easily offended by expletives then perhaps give it a miss. I'd say that approximately half of the script is the F-word, and a further quarter is whole bunch more expletives including a few I wasn't familiar with. Zoey Deutch the leading lady I recognised, but could place did an ok job, but the focus was really on James Franco and Bryan Cranston who had a spectacular on screen chemistry. Megan Mullally and Keenan-Michael Key also had a few shining moments. Over the holidays, Ned (Cranston) and Barb Fleming (Mullally) visit their daughter Steph (Deutch) who is studying at Stanford. There they meet Ned's biggest nightmare: Steph's well-meaning, but socially awkward Silicon Valley billionaire boyfriend, Laird (Franco). Laird is trying to make a good impression, so that he can get Ned's approval to propose, and things get incredibly out of control. I mean really, there's a moose in a glass case of its own urine that explodes and floods the living room, so you can appreciate the type of movie this is. I can't complain, I saw the trailer, I knew what I was going in for, and given what it was, it wasn't actually all that bad. I didn't hate it, and the cast did a pretty good job with the shitty script that they had. What I will say is that if I had a magical billionaire boyfriend who wanted to marry me, my dad would probably say something like "well if she won't marry you, I will".  There were some laugh out loud moments and some truly cringeworthy moments. I'm not sure if I pay to see it at the cinema to be quite honest, but if things like THE HANGOVER and SUPERBAD are up you're alley then you might not be as sad parting with $20 something dollars as I would be. 

2.5 out of 5 for this wrong-town comedy

Immediately following WHY HIM, I headed off to LA LA LAND - my most anticipated Boxing Day release. I have been hanging out for this for months, a little musical with Ryan Gosling and Emma Stone, what's not to love? They've had great chemistry on screen together before, they can both sing and dance, the set and costumes looked amazing and the soundtrack seemed on point. And yet sadly, something didn't quite work and LA LA LAND didn't quite hit the high note. It's difficult to put my finger on exactly what it was that didn't work, I think it was a combination of things. Parts of the script were slow, some of the lyrics were awful, Emma Stone didn't quite get there with her vocals and Ryan Gosling didn't take his shirt off once. Not once dammit! That wasn't really a problem, but I might have kinda sorta been hoping that he would, so I just wanted to let you know in case you were hoping the same, that he doesn't. Here's the deal, Mia (Stone), an aspiring actress, serves lattes to movie start in between auditions and Sebastian (Gosling), a jazz musician, scrapes by playing cocktail party gigs in dingy bars. They meet and fall hopelessly in love, but as success mounts they are faced with decisions that begin to fray the fragile fabric of their love, and the dreams they worked so hard to maintain in each other threaten to rip them apart. You get to take turns in loving and hating them both in this musical about mundane everyday life. There are romantic highs and dramatic lows, there's a tap dancing scene and then an odd scene at the observatory that didn't quite fit in my opinion. I enjoyed it, but it wasn't all I was hoping it would be. My good friend LahLah went and saw it at the Albury cinema today where she's been hiding out for Christmas, and she loved it, so I think it's going to sit well with the female audiences. The gents, not so much. During the opening musical number the guy sitting next to me let out a very audible 'sigh' that roughly translated as "a musical are you kidding me? What the hell am I doing here" and then he promptly proceeded to snore for the entire film. So maybe don't take your man along with you, save this one for a girls night. I'd hand over the 20-something to see it in the cinema, but I wish I had gone in with slightly lower expectations so I wasn't so let down. 

3.5 out of 5 for this new age musical

To round out the day, I saw the one film I know everyone was expecting me to see - MOANA. The latest edition to the Disney collection, MOANA, the story of a young girl who hears the call of the ocean, and guided by the sea and her grandmother sets out on a voyage to save her village. Demi-God Maui once stole the heart of Te Fiti the mother island and unleashed a curse of blackness upon the world. Moana must find Maui and get him to return the heart of Te Fiti to save her island and her people. The story is based around Polynesian mythology, and although it does have a few moments that seem borderline racist, it's fairly enjoyable. Starring Auli'i Cravalho as Moana and Dwayne 'THE ROCK' Johnson as Maui, it has some enjoyable and funny moments. The music is not as awesome as I would have hoped - I don't think this is going to come anywhere close to being the next FROZEN - but it has been nominated for a Golden Globe in 2017 for best original song. There were a few little digs at past disney movies, but the highlight for me was the very Bowie-esque number by Tamatoa the crab, voiced by the very remarkable Jemaine Clement of Flight of the Concords fame. The kidlet I took loved it, and I think it's going to be a huge hit this holidays. It will probably have a slightly more even audience than something like FROZEN because of the action and adventure, which I think will entice the little chaps. I mean who doesn't like a sailing adventure with coconut pirates, a demented rooster, a lava monster and an incredibly shiny, singing crab? It doesn't make it anywhere close to the top of my Disney list, but I'm pretty sure I'd pay money to see Dwayne Johnson singing his song live. It's definitely worth taking the kiddies to on a rainy day this holidays, but beware the lava monster - it is a tiny bit frightening before it all works out in the end. 

It kills me to say this but 3.5 out of 5 for the new Disney number 

 So, for a little recap; 
ALLIED - 2.5
SING - 3.5
A UNITED KINGDOM - 4.5
WHY HIM? - 2.5
LA LA LAND - 3.5
MOANA - 3.5

There is something for everyone out this Boxing Day, and there is more good stuff to come in January including COLLATERAL BEAUTY, PASSENGERS, LION AND JACKIE. There isn't really much for the young chaps in the 8-14 age bracket which is a real shame, although come Jan 19 MIDDLE SCHOOL: THE WORST is released and that's sure to be a hit with that age group. So on the next day that's too hot to move, or too rainy to do anything, becuase you know, Australia Summer,  pick something from the list and go be entertained. I'm now going to have a week or so off until the next lot of new releases hits the screens! 

Xoxo
The Blonde Bombshell











Monday, 11 January 2016

Golden Globes 2016



Alright folks, it's happened, the winners are out, and whilst I didn't get in in time for my predictions post for the Globes, I've got the list of winners along with who I think should have won below. Sadly this year I didn't get a chance to sit down and watch the Globes as it was happening (stupid life and real job getting in the way), but I am going to sit down tonight and feast on the glory that is Ricky Gervais and enjoy the ceremony with a glas of vino (or 7).

Winners are marked in bold;


  1. BEST MOTION PICTURE – DRAMA

a.
CAROL - haven't got to see this yet as it's not out in Australia, but by God am I excited for it!! Based on the reviews, I would have put this as my prediction for the winner

Number 9 Films; The Weinstein Company
b.
MAD MAX: FURY ROAD - I was not as wrapped with this film as everyone else in the world, it was good, but I certainly wouldn't have backed it as a winner

Warner Bros. Pictures / Village Roadshow Pictures / Kennedy Miller Mitchell; Warner Bros. Pictures
c.
THE REVENANT - am off to see this later in the week, so I will offer my judgement then

Regency Enterprises; Twentieth Century Fox
d.
ROOM  - I just saw the extended trailer for this last week and I am super keen to see it!

Element Pictures / No Trace Camping; A24
e.
SPOTLIGHT - Australia is so behind...how am I ever meant to work it out when I can't even see the films yet?!

Anonymous Content / Participant Media / First Look; Open Road Films

2.     BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – DRAMA

a.
CATE BLANCHETT
CAROL - I would have put my money on Cate for the win here
b.
BRIE LARSON
ROOM - again, I have not yet seen this as it's not out yet, but she looks bloody brilliant in the trailers!!
c.
ROONEY MARA
CAROL
d.
SAOIRSE RONAN
BROOKLYN
e.
ALICIA VIKANDER
THE DANISH GIRL

3.     BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – DRAMA

a.
BRYAN CRANSTON
TRUMBO
b.
LEONARDO DICAPRIO
THE REVENANT - so annoyed I haven't seen this yet, but I'm glad Leo won!
c.
MICHAEL FASSBENDER
STEVE JOBS
d.
EDDIE REDMAYNE
THE DANISH GIRL - I would have put my money on Eddie for the win here
e.
WILL SMITH
CONCUSSION


4.     BEST MOTION PICTURE – MUSICAL OR COMEDY 

a.
THE BIG SHORT

Paramount Pictures / Regency Enterprises; Paramount Pictures
b.
JOY

Fox 2000 Pictures; Twentieth Century Fox
c.
THE MARTIAN - I would have put my money on The Martian for sure!

Twentieth Century Fox; Twentieth Century Fox
d.
SPY

Twentieth Century Fox; Twentieth Century Fox
e.
TRAINWRECK

Universal Pictures / Apatow Productions; Universal Pictures

5.     BEST PERFORMANCE BY AN ACTRESS IN A MOTION PICTURE – MUSICAL OR COMEDY

a.
JENNIFER LAWRENCE
JOY -no real surprises here, although in my mind it should have been Maggie Smith! I don't think this is Jen's best work to be honest
b.
MELISSA MCCARTHY
SPY
c.
AMY SCHUMER
TRAINWRECK
d.
MAGGIE SMITH
THE LADY IN THE VAN -  I would have put my money on Maggie Smith
e.
LILY TOMLIN
GRANDMA

6.     BEST PERFORMANCE BY AN ACTOR IN A MOTION PICTURE – MUSICAL OR COMEDY

a.
CHRISTIAN BALE
THE BIG SHORT
b.
STEVE CARELL
THE BIG SHORT
c.
 MATT DAMON
THE MARTIAN -  this is absolutely where I would have put my money for the win. MATT DAMON
d.
AL PACINO
DANNY COLLINS
e.
MARK RUFFALO
INFINITELY POLAR BEAR -  a close second for me here, one of the most underrated actors 


7.     BEST MOTION PICTURE – ANIMATED 

a.
ANOMALISA

Starburns Industries; Paramount Pictures
b.
THE GOOD DINOSAUR

Pixar Animation Studios; Walt Disney Studios Motion Pictures
c.
INSIDE OUT - of course this won, it was a freakin' incredible film! 

Pixar Animation Studios; Walt Disney Studios Motion Pictures
d.
THE PEANUTS MOVIE

Blue Sky Studios; Twentieth Century Fox
e.
SHAUN THE SHEEP MOVIE

Aardman; Lionsgate / Studiocanal

8.     BEST MOTION PICTURE – FOREIGN LANGUAGE

a.
THE BRAND NEW TESTAMENT
(BELGIUM / FRANCE / LUXEMBOURG)

Terra Incognita / Climax Films / Après le Déluge / Juliette Films / Caviar; Belga Films / Le Pacte
b.
THE CLUB
(CHILE)

Fabula; Music Box Films

c.
THE FENCER
(FINLAND / GERMANY / ESTONIA)

Making Movies / Kick Film GmbH / Allfilm; Oy Nordisk Film Ab
d.
MUSTANG
(FRANCE)

CG Cinéma / Vistamar Flimproduktion; Cohen Media Group

e.
SON OF SAUL
(HUNGARY) - none of these I've been able to see yet, so I would have guessed based on trailer alone and it would have been Fencer

Laokoon Filmgroup; Sony Pictures Classics




9.     BEST PERFORMANCE BY AN ACTRESS IN A SUPPORTING ROLE IN ANY MOTION PICTURE

a.
JANE FONDA
YOUTH
b.
JENNIFER JASON LEIGH
THE HATEFUL EIGHT
c.
HELEN MIRREN
TRUMBO
d.
ALICIA VIKANDER
EX MACHINA
e.
KATE WINSLET
STEVE JOBS - that's a bit exciting! I love Kate. I would have put my money on Alicia Vikander, but that's the only one of these films I've seen so far

10.  BEST PERFORMANCE BY AN ACTOR IN A SUPPORTING ROLE IN ANY MOTION PICTURE

a.
PAUL DANO
LOVE & MERCY
b.
IDRIS ELBA
BEASTS OF NO NATION
c.
MARK RYLANCE
BRIDGE OF SPIES
d.
MICHAEL SHANNON
99 HOMES
e.
SYLVESTER STALLONE
CREED - absolutely this is correct, but if I hadn't seen it I would have put money on Paul Dano

11.  BEST DIRECTOR – MOTION PICTURE

a.
TODD HAYNES
CAROL
b.
ALEJANDRO G. IÑÁRRITU
THE REVENANT - I would have put my money on THE MARTIAN, but I haven't seen THE REVENANT yet, so I may just change my mind
c.
TOM MCCARTHY
SPOTLIGHT
d.
GEORGE MILLER
MAD MAX: FURY ROAD
e.
RIDLEY SCOTT
THE MARTIAN



12.  BEST SCREENPLAY – MOTION PICTURE

a.
EMMA DONOGHUE
ROOM
b.
TOM MCCARTHY,
 JOSH SINGER
SPOTLIGHT
c.
CHARLES RANDOLPH, ADAM MCKAY
THE BIG SHORT
d.
AARON SORKIN
STEVE JOBS - even though I haven't seen this yet, I would have thought Aaron Sorkin would have it I the bag. His screenplays are always incredible
e.
QUENTIN TARANTINO
THE HATEFUL EIGHT

13.  BEST ORIGINAL SCORE – MOTION PICTURE

a.
CARTER BURWELL
CAROL
b.
ALEXANDRE DESPLAT
THE DANISH GIRL - If it weren't for Ennio then I would have put my money here
c.
ENNIO MORRICONE
THE HATEFUL EIGHT - I have so much Ennio Morricone on my iPod people might think I'm a stalker... 
d.
DANIEL PEMBERTON
STEVE JOBS
e.
RYUICHI SAKAMOTO,
ALVA NOTO
THE REVENANT
             
14.  BEST ORIGINAL SONG – MOTION PICTURE 

a.
“LOVE ME LIKE YOU DO” — FIFTY SHADES OF GREY

Music by:
Max Martin, Savan Kotecha, Ali Payami, Ilya Salmanzadeh

Lyrics by:
Max Martin, Savan Kotecha, Ali Payami, Ilya Salmanzadeh
b.
“ONE KIND OF LOVE” — LOVE & MERCY

Music by:
Brian Wilson, Scott Bennett

Lyrics by:
Brian Wilson, Scott Bennett
c.
“SEE YOU AGAIN” — FURIOUS 7

Music by:
Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz

Lyrics by:
Justin Franks, Andrew Cedar, Charlie Puth, Cameron Thomaz
d.
“SIMPLE SONG #3” — YOUTH

Music by:
David Lang

Lyrics by:
David Lang
e.
“WRITING'S ON THE WALL” — SPECTRE - yeah ok, I can see why this won...I preferred One kind of Love from LOVE & MERCY though

Music by:
Sam Smith, Jimmy Napes

Lyrics by:
Sam Smith, Jimmy Napes

Now, if you'll excuse me, I've got some serious film viewing to do in the lead up to the Oscars this year so I can make some informed choices and also express outrage and disappointment that my favourites didn't win knowing that they were truly the best.

I'll leave you with this clip of Ricky at the Globes this year...people are equally amused and offended, but they keep inviting him back, so they only have themselves to blame. I for one love him, so let's keep him coming back and back and back!


Xoxo
The Blonde Bombshell

Tuesday, 29 December 2015

JOY - review


Director: David O. Russell
Cast: Jennifer Lawrence, Robert De Niro, Bradley Cooper, Édgar Ramírez, Diane Laid, Virginia Madsen, Isabella Rossellini, Dascha Polanco, Elisabeth Röhm

Synopsis: JOY is the wild true story of Joy Mangano and her Italian-American family across four generations centred on the girl who becomes the woman who founds a business dynasty by inventing the Miracle Mop and becomes a matriarch in her own right. 

Ahhh Boxing Day, my favourite day of the year. It's new release movie day, and it's always been my favourite day. It was my favourite day when I worked in cinema and it's still my favourite day. It's the day that all the big new releases come out. The much anticipated films that everyone's hanging out for. When I worked in cinema, I used to get sneak peaks of everything that was coming and it would make me even more excited. Now I just wait with the rest of the world to see what Boxing Day aka New Release Day has in store for me. This year there were no massive titles coming out, STAR WARS was released a few weeks before Boxing Day, there was no HOBBIT film or HARRY POTTER instalment, no huge titles to speak of, but I was mighty excited about a couple of films that were due out and JOY was one of them.

A great ensemble cast that did their best
Image via 20th Century Fox

I dragged my butt out of bed on New Release Day even though I'd worked on Christmas Day and was pretty exhausted, because I wanted to be in amongst the madness that is the busiest day in cinema. The 10am session of JOY was relatively quiet - most people were probably still nursing their food babies and Christmas hangovers, but I was ready, and let me tell you, I was slightly disappointed. I have to agree with a lot of the critics out there, the question has finally been answered, Jennifer Lawerence can actually be in a film that's kinda shitty. There, I said it. She tried, lord knows she tried, but even she couldn't salvage this mess.

The storyline was all over the shop, Joy was pure victim, the struggling divorced mother of two who cares for both her parents and her ex-husband, who somehow managed to invent a wonder mop after cutting her hands wringing out a regular mop by hand. The film should have been incredible - it was brought to us by the team who gave is SILVER LININGS PLAYBOOK and AMERICAN HUSTLE - I had certain expectations of its greatness. I wanted it to be great, and perhaps that was my problem. Perhaps I went in with the bar set too high, but whatever the reason, I didn't love it and I wanted to.



Jennifer Lawrence and Bradley Cooper couldn't save this mess
image via 20th Century Fox


The film opened with a disclaimer that the story was inspired by great women everywhere, like David O. Russell was trying to tell us his intentions were good, but that what we were going to see was a pile of crap. I ignored that warning and still hoped for the best, but the narrative was meh, and the acting was some of the worst I've seen out of any of this incredible cast. Shame, shame I tell you. Some parts of the film were truly laughable, and all the while Lawrence was trying to wring out every last bit of sympathy she could from the audience. I really feel for the actors in this film, they can only do so much with what they've got, and they didn't have much.

The narrative we open with from Joy's grandmother Mimi (Diane Laid) is quickly forgotten and when it returns later in the film it is intrusive and doesn't fit with the film. There are a few little side plots and twists that don't fit nicely within the storyline, that just complicate it and make you wonder why you're seeing it at all. Then we finish with Joy walking down the street after saving her entire empire all on her own putting on her hip sunglasses with her home job haircut and leather jacket that goes for what seems like years before we have the weirdest epilogue.

before the longest walk ever
Image via 20th Century Fox


I don't think that JOY is going to get a particularly long run at the cinema, so if you are wanting to see it, get in quick. I would guess 3-4 weeks at best, with limited sessions in the last couple of weeks. At 2 hours and 4 minutes, it's a long time to sit if you're not going to be completely wowed by a film, so unless you're a die hard fan of J-Law and Bradley Cooper (who we definitely do not see enough of to make it worthwhile) then I wouldn't rush out to spend your 20-something dollars on this film. Sorry Jennifer, lord knows I'm a fan and I think you're wonderful and that you can do no wrong, but even you couldn't carry this film.

2.5 out of 5

Xoxo
The Blonde Bombshell